Genre: Mystery, Thriller, YA
Rating: 3.5 STARS
Release Date: April 4, 2017
Sixteen-year-old Harper Jacobs and her bored friends make a pact to engage in a series of not-quite illegal break-ins. They steal from each other’s homes, sharing their keys and alarm codes. But they don’t take anything that can’t be replaced by some retail therapy, so it’s okay. It’s thrilling. It’s bad. And for Harper, it’s payback for something she can’t put into words-something to help her deal with her alcoholic mother, her delusional father, and to forget the lies she told that got her druggie brother arrested. It’s not like Daniel wasn’t rehab bound anyway.
So everything is okay-until the bold but aggravating Alex, looking to up the ante, suggests they break into the home of a classmate. It’s crossing a line, but Harper no longer cares. She’s proud of it. Until one of the group turns up dead, and Harper comes face-to-face with the moral dilemma that will make or break her-and, if she makes the wrong choice, will get her killed.
Okay, so bear with me here. I was lazy enough to wait until, like, weeks and weeks later to write up this review, so if this sounds vague as all hell, now you know. But, when I was approved for this request on Netgalley, I was so pumped. I absolutely love thrillers, and I’m always interested in YA thrillers since YA is the genre I’m a huge fan of, and there aren’t enough thrillers found in the genre. Again, I ran into a YA thriller that I’d consider better than most, but, in the end, was still just okay. I think most people will enjoy this, but it’s no Dangerous Girls, and if you’re looking for a more complex thriller, this definitely isn’t it.
So, we’re introduced to a gang of rich, teenage robbers, and I know you’re probably immediately writing them off as unlikable, but they actually weren’t too bad. I thought it was interesting that they robbed each other’s houses for the thrill of it, not only because it sounded stupid, but because it seemed sort of risky and useless, since they didn’t steal anything big, but whatever. Harper is the main character, and, of course she has a younger sister who’s deaf, and this reminded me a lot like Alex from the horror/thriller movie Don’t Breathe from last summer, which I loved and would recommend over reading this book, but that’s getting off-topic. I thought Harper was an all-right character; I didn’t really cheer for her, but I wasn’t praying death upon her, so that was good! I thought the rest of the gang was sort of forgettable, and weren’t developed enough, except maybe Alex and Benji.
I thought the premise was interesting, and was pretty much what I expected from the synopsis. I was surprised to see that people actually died, and there were some moments that were really touching, especially during one of the member’s deaths. I will say, the book was addicting. I told myself I’d stop at one chapter, and, of course, I completely failed to do so. I just needed to know what was going to happen next, and I appreciate the fact that Garrett just wrote a straight-forward thriller without feeling the need to insert unnecessary filler. And hooray for the fact that the romance didn’t overtake the plot! It was barely there, which is how thrillers SHOULD be.
I honestly don’t know how I feel about the ending. At the same time, I thought it was entertaining, but on the other hand, I feel like, again, I’ve suffered through a conclusion that seemed to have an unbelievable villain, which way too many damn YA thrillers suffer from sometimes. Instead of trying to make a believable thriller, some authors fall victim to wanting to have this big, crazy twist that shocks people, and it just doesn’t make sense. I don’t want to spoil, but I just felt like the way things were handled, the “villain” had to not only be the best actor in the history of acting, but also be a mastermind, with a hell of a lot of coincidences.
It’s funny, because it honestly seems like I’ve read way too many thrillers this year, both adult and YA alike, that I thought were good, except for the highly unrealistic endings. It feels like thrillers have stopped attempting to make logical sense and be entertaining, and now seem to try to out-rank each other for craziest plot twist of the year, which isn’t what I want thrillers to de-evolve to, but that’s a discussion for another day. But, I’m sure some people will love the plot twist and be like, “OH MY GOOOOD. DID NOT SEE THAT COMING.” I just rolled my eyes.
Overall, if you’re interested, I’d say you should just go for it, but, personally, I wouldn’t set other people’s expectations to be TOO high.
Are you interested in this book? How do you feel about the state of thrillers? What’s your favorite thriller?