Genre: Contemporary, Mystery, YA
Rating: 3 STARS
Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.
Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.
There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?
In this gritty and haunting debut, Tiffany D. Jackson explores the grey areas in our understanding of justice, family, and truth, and acknowledges the light and darkness alive in all of us.
“Some people are just born bad, plain and simple.”
Honestly, this book wasn’t even on my radar. I’d heard some things about this book because I follow up with the Epic Reads website, but it didn’t really interest me, so I stayed away. But then I was pulled over by the Influence of Bookstagram, and I totally and completely caved because I heard SO MANY GOOD THINGS. Would I say that I totally and completely fell in love with this book? No, not really. But I definitely found this one entertaining, and I’m sure, in the right hands, someone would love this book more than I did.
So, regarding the characters, I found this one really interesting. We are introduced to Mary, a sixteen-year-old girl stuck in the crappy system and also just happens to be pregnant by her older boyfriend, Ted, who works in the nursing home close to the group home. Mary is someone you will most likely sympathize with. Her relationship with her mother is frayed, she wants to keep her baby but she doesn’t have that choice, she’s trying to get an education but is continually blocked from it, and everyone thinks she killed a baby. Allegedly. I felt so bad for her, and I thought this was a really great book to talk about how the system treats younger prisoners, especially POC. I know we’ve all watched Orange Is the New Black (and if you haven’t, WHAT ARE YOU DOING WITH YOUR LIFE?), but this seemed like a darker, more grittier version (I mean, the show is dark as well, but this was less comedy and girl power, more depression and girl fights). And with Ted…whatever. I didn’t really care too much about him, to be honest, and I just didn’t like him? I’m weird.
The plot of this book was done so well. I will say this is a mix between a contemporary and a mystery, so for mystery/thriller fans like me, this is no psychological thriller, but I still found it really addicting, especially since we’re hinted at something more constantly. I personally found this book that way, and I just needed more of it, needed to know what was going to happen, and I can owe that all to Mary and her plight. I just needed to know what was going to happen next, needed to see if she was going to get the proper justice she deserved, needed to know what in the hell actually happened to Alyssa.
I also loved the little snippets inserted from books and reports and transcripts of interviews. I’m a huge fan of books like that, especially thrillers (it reminds me a lot of Dangerous Girls, and, wow, can I go a post without talking about that book?), and I thought it really added to the story, especially seeing how the public responded to the it. I honestly wonder how the public would respond if a nine-year-old black girl killed a white baby. Would the world go into chaos? Would more people believe she did it or if she didn’t? Would people think she deserved an even worse sentence? It’s one of those really interesting cases that would definitely bring up controversy in the real world right now (and I sort of wonder if it’s based off of something that happened in real life?).
I don’t know how I feel about the ending. Of course, I’m trying not to spoil, but I feel like I’ve seen it so many times before that I’m not really shocked or surprised, and it’s sort of become something where I basically say, “Oh, okay.” Yeah, the first few times I’ve seen that sort of plot twist, I was like, “Woah; what???” but it’s so overdone at this point that I’m starting to hate it a little. It’s not like it’s the author’s fault or anyone else’s, it just feels as if publishers see a plot twist and go, “YES MUST PUBLISH NOW,” to constantly keep up with the trends, and after seeing a thousand different ways to express the fact that the main character is lost royalty, it gets old.
Overall, I thought this was a pretty interesting mix between a contemporary and a mystery, and I think you should definitely check it out if it interests you.
Have you read this book yet? What did you think about it?
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